“Cruella” confounds expectations in mostly delightful ways, particularly for what amounts to a supervillain origin-story prequel inspired by a 60-year-old animated movie. Credit much of that to a twin dose of Emma power — as in Stone and Thompson — in a movie that might owe its life to “101 Dalmatians,” but which centers around a tasty cat fight.
Disney’s latest brand extension comes a quarter century after Glenn Close portrayed Cruella de Vil in the live-action “Dalmatians,” setting a high bar for dog-hating villainy. Stone, however, makes the younger version of the character her own — she’s as much Catwoman with her leather outfits and purred dialogue — and finds a worthy antagonist in Thompson, with the two modeling a parade of frocks that suggest the costume and set designers were having the time of their lives.
The movie notably arrives on Disney+ (like “Mulan,” for a premium fee) as well as in theaters, and with a surprising 2-hour-and-15-minute length somewhat overstaying its welcome, might actually play better on the smaller screen. In addition, while kids might enjoy the look of it, “Cruella” is dark in a way that could easily elude them, making this punk-rock-tinged movie something more in tune with the tastes of nostalgic adults. Disney has veered outside of its creative wheelhouse with mixed commercial results, faring better with dutiful live-action adaptations — think “Beauty and the Beast” and “Aladdin” — than more adventurous ones like “Dumbo.” The very reasons that “Cruella” represents a pleasant surprise might actually work against its commercial potential.
Nevertheless, Disney’s gamble paid off in tapping Craig Gillespie (“I, Tonya”) to direct the film, working from a script and story credited to a handful of writers, among them Dana Fox (“Couples Retreat”), Tony McNamara (“The Favourite”) and Aline Brosh McKenna, who worked on “The Devil Wears Prada,” which feels like the movie’s spirit guide. The cited source material is the novel by Dodie Smith, but let’s face it, Disney wants you to go stream the earlier movies later, not read a book. The plot, while naturally peppered with callbacks, is relatively simple: It’s the 1960s, and Young Estella sees her mother die after she’s gone to beg for money from a fashion diva known as the Baroness (Thompson), who happens to own several spotted dogs.